When mono is genuinely better
A single microphone recording is mono already — presenting it as stereo just means two copies of the same thing with a bit of extra file size. More importantly, true mono is immune to the failure modes stereo has: nothing can be lost when a listener uses one earbud, nothing changes when a venue plays it through a mono system, and no part of the mix vanishes when the channels are summed. For speech-led video, the loss of stereo width costs nothing and the reliability is worth a lot.