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Edit Videos

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Adjust colors and add video filters

Choose a look, fine-tune the color, compare it with the original, then download the video.

How it works
  1. ImportChoose source
  2. EditSet the change
  3. PreviewReview result
  4. ExportCreate file
InputMP4, WebM, MOV and M4V videoOutputMP4 or WebM video

Footage straight out of a camera is rarely graded: it can be flat, too cool, too dark in the shadows, or simply inconsistent with the other clips in a project. This tool gives you exposure, contrast, saturation and colour-temperature controls, a set of ready-made looks, and LUT support, with a before-and-after comparison so you can judge the change instead of guessing.

Correction before styling

Fix the objective problems first, then apply taste. Set exposure so the brightest parts of the picture are bright without clipping to pure white, adjust white balance until neutral things — paper, a white shirt, a wall — actually look neutral, then add contrast and saturation. Doing it in the other order means every stylistic decision gets made on top of a colour cast, and you end up fighting the look you just chose. The comparison view makes the corrections easier to see than the styling.

What LUTs do and don’t do

A LUT is a lookup table that maps input colours to output colours. It is a fast way to apply a consistent grade across many clips, and it is how log or flat profile footage is brought back to a normal contrast range. What a LUT cannot do is fix exposure or white balance: applied to a clip that is two stops dark, it produces the same look applied to a dark clip. Correct first, apply the LUT, then trim intensity if the result is heavier than you wanted.

Grading for the destination

Phone screens are bright, contrasty and usually viewed outdoors; laptops and TVs are not. A grade that looks rich on a calibrated monitor can crush to mud on a phone at half brightness. If your video is for a social feed, keep shadows a little more open and saturation a little more restrained than feels ideal on your desk. Compression also matters: heavy saturation and deep gradients are exactly what low-bitrate encodes band and blotch first.

Questions, answered

What is a LUT and do I need one?

A LUT is a colour lookup table that maps every input colour to an output colour, giving a repeatable look. You need one mainly for log or flat-profile footage, or to match a look across clips. Ordinary phone video usually looks better with plain exposure and colour adjustments.

Can I apply the same look to several clips?

Use the same preset or LUT on each clip so the grade matches. Exposure and white balance still want per-clip tweaks, because the same look on differently exposed footage will not land the same way.

Why does my graded video look different after export?

Usually the player, not the export — different apps and screens interpret colour differently, and heavy grades band under compression. Keep saturation and contrast moderate, and export at a higher quality setting if you see blotches in gradients.

Can I remove a colour cast from indoor footage?

Yes — that is what the temperature and tint controls are for. Find something in the frame that should be neutral grey or white and adjust until it is, then judge skin tones.

Do filters slow the export down?

Colour processing adds work per frame, so a graded export takes longer than a plain re-encode. The difference is modest compared with the encoding itself, and everything runs locally on your hardware.

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Continue with a tool that fits naturally after video filters.

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