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Isolate vocals from a video

Compare the original sound, choose the voice preset, then export.

How it works
  1. ImportChoose source
  2. EditSet the change
  3. PreviewReview result
  4. ExportCreate file
InputMP4, WebM, MOV and M4V videoOutputMP4 or WebM video

Isolating the voice is the inverse of removing it: instead of cancelling what is centred, you keep it and suppress what is not. It is useful for pulling a usable dialogue track out of noisy location sound, lifting an acapella out of a mix for practice or study, and making speech clearer when music is competing with it.

What isolation keeps and what it drops

The technique favours centred content, which in a conventional mix is the lead voice — but also the bass, the kick and anything else placed in the middle. Instruments panned to the sides drop away most, so a wide arrangement isolates far better than a narrow one. The audible signature of the process is a slightly hollow, filtered quality, because you are keeping a subset of the frequency and stereo content rather than an unprocessed recording. That is acceptable for reference and study, and worth checking carefully before using in a finished piece.

Cleaning up afterwards

An isolated vocal usually benefits from a second pass. High-pass filtering below about 80 Hz removes the rumble and low-end bleed the process leaves behind, and a gentle boost around 2–5 kHz restores presence the isolation dulls. If a steady background remains, noise reduction can take it down, though pushing it hard on already-processed audio compounds the artefacts. Do the corrective work in that order — filter, then shape, then reduce noise — rather than reaching for heavy processing first.

Questions, answered

How clean is the isolated vocal?

Good enough for reference, practice and transcription; usually not clean enough to pass as an original recording. Expect a slightly hollow, filtered quality and some instrumental bleed.

Why do the bass and kick come through with the vocal?

They are centred in the mix too, and the technique keeps centred content. Any instrument in the middle of the stereo image survives along with the voice.

Does this work on mono recordings?

No. With identical channels there is no stereo difference to work from, so nothing can be separated.

How can I make the isolated vocal sound better?

High-pass below about 80 Hz to cut rumble, add a gentle boost around 2–5 kHz for presence, then apply light noise reduction if a background remains.

Can I use this to clean up dialogue from a noisy recording?

It can help when the voice is centred and the noise is spread across the stereo field. For steady noise like fans or hiss, the dedicated noise remover is usually the better tool.